In October 2014 the Szépmüvészeti Múzeum in Budapest opened the large and ambitious exhibition Rembrandt and the Dutch Golden Age, with 195 displays, mainly paintings. It was accompanied by a correspondingly large, magnificently printed 606-page catalogue. Preceding the entries are five essays, one of which I wrote and which with the kind permission of the museum I make available on Schwartzlist Documents.
Gary Schwartz, “The meanings of Rembrandt,” in exhib. cat. Rembrandt and the Dutch Golden Age, Budapest (Szépmüvészeti Múzeum) 2014, pp. 36-57
From Mediating Netherlandish art and material culture in Asia, edited by Thomas DaCosta Kaufmann and Michael North, published by Amsterdam University Press, distributed in US by University of Chicago Press, 2014
From University of Chicago Press website (with more information on the book): “Scholars have extensively documented the historical and socioeconomic impact of the Dutch East India Company. They have paid much less attention to the company’s significant influence on Asian art and visual culture.
“Mediating Netherlandish Art and Material Culture in Asia addresses this imbalance with a wide range of contributions covering such topics as Dutch and Chinese art in colonial and indigenous households; the rise of Hollandmania in Japan; and the Dutch painters who worked at the court of the Persian shahs. Together, the contributors shed new light on seventeenth-century Dutch visual culture—and the company that spread it across Asia.”
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