Safavid favour and Company scorn: the fortunes of Dutch painters to the shah

The article by Gary Schwartz with the above title is to be found on pp. 132-152, in English and Farsi, in

Iran and the Netherlands: interwoven through the ages, edited by Martine Gosselink and Dirk J. Tang, Gronsveld and Rotterdam (Barjesteh van Waalwijk van Doorn & Co’s Uitgeversmaatschappij) 2009

Open pdf at 2009IranAndTheNetherlandsInterwovenThroughTheAges (31 Mb)


Terms of reception: Europeans and Persians and each other’s art

From Mediating Netherlandish art and material culture in Asia, edited by Thomas DaCosta Kaufmann and Michael North, published by Amsterdam University Press, distributed in US by University of Chicago Press, 2014

From University of Chicago Press website (with more information on the book): “Scholars have extensively documented the historical and socioeconomic impact of the Dutch East India Company. They have paid much less attention to the company’s significant influence on Asian art and visual culture.

“Mediating Netherlandish Art and Material Culture in Asia addresses this imbalance with a wide range of contributions covering such topics as Dutch and Chinese art in colonial and indigenous households; the rise of Hollandmania in Japan; and the Dutch painters who worked at the court of the Persian shahs. Together, the contributors shed new light on seventeenth-century Dutch visual culture—and the company that spread it across Asia.”

Open (large) pdf (60Mb)