Gary Schwartz, “Jan van der Heyden and the Huydecopers of Maarsseveen,” The J. Paul Getty Museum Journal 11 (1983), pp. 197-220
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The painting that is the subject of the article was de-accessioned by the Getty Museum and sold at auction in New York (Sotheby’s) on 25 January 2007. It was bought by Baron Willem van Dedem, a distinguished collector of Dutch and Flemish paintings.
“Digital imagery and user-defined art,” The Art Bulletin 79 (June 1997), pp. 206-08
The complete section of The Art Bulletin in which the article by Gary Schwartz appears on pp. 206-08 is dedicated to “Digital Culture and the Practices of Art and Art History.”
“Le musée documentaire: reflections on a database of works mentioned in art treatises and town descriptions before 1800,” Journal of Information Science 15 (1989), pp. 41-47. Originally published in AICARC: Bulletin of the Archives and Documentation Centers for Modern and Contemporary Art 1986(2)/1987(1), pp. 56-59
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On Sunday afternoon, 13 March 2011, the eminent art historian Leo Steinberg died, in his own long-time home on West 66th Street in New York, at the age of 90. I have called Leo Steinberg a good friend since we met for the first time at the National Gallery in London in 1966. When Loekie and I were married in New York in April 1968, Leo took us and our wedding guests to lunch at Ratner’s on Second Avenue. We have always thought of him as the godfather of our marriage, now in its 42nd year.
In 1994, Leo Steinberg came to the Netherlands to deliver a public lecture at Utrecht University. This is the text of the talk by which I introduced him to the audience.
Open pdf (282 kB) at Leo Steinberg Utrecht 1994